Tag Archives: video

R.I.P. Neil Peart (1952-2020), legendary drummer for Rush

We learn today that Canadian rock legend Neil Peart has passed away after a three-year battle with brain cancer.

Joining fellow Canadians, the rock band Rush, in time for their second album, 1974’s Fly By Night. Neil’s drumming was a game changer for the band,as evidenced by opening track ‘Anthem’ (below).

Anthem (Fly By Night, 1974)

Full reports on Peart’s sad passing can be found here…

Rush drumming legend Neil Peart dead at 67

Rest in peace, Neil Ellwood Peart (1952-2020), and thanks for the music.

‘Lagrima’ by Fransico Tárrega

Happy New Year, everybody!

To celebrate the beginning of 2018, here’s my long-promised interpretation of the Fransico Tárrega classic ‘Lagrima’. As always, feel free to let me know what you think! Here it on Vimeo here.

I’ll be back with more regular blog posts soon. Until then, stay happy and let’s make this year a great one, full of wonderful new music! xx

Video: Funk & Soul Medley (with Switch)

Been a while since my last post (several life-changing events recently – all positive!) but thought I’d post a new video from Switch.

For those new to my blog, Switch are my main function band at the moment. I’ve been their guitar player since the beginning of 2015, and we’ve performed at all manner of function & event in that time.

This medley was recorded last winter, but only recently uploaded by the band. It features three funk & soul songs, all of which are staples of the wedding/function band scene:

  • Signed, Sealed, Delivered (Stevie Wonder)
  • Never Too Much (Luther Vandross)
  • Ain’t Nobody (Chaka Khan)

This medley showcases Switch’s full six-piece lineup of female vocals, bass, drums, keys, guitars & male backing vox (me), plus alto sax & female backing vox.

For my part in this recording, the guitar used was my Fender Modern Player Stratocaster (short scale model), DI’d direct into the studio desk. Recording took place at Nemix Studios in Newcastle upon Tyne, England. I must admit that I don’t know which ‘re-amp’ patches were used for my guitar tones, other than I requested a Fender Blackface/Deluxe style amp for the clean sound. Sorry there isn’t any more detail….

As always, let me know what you think. In case the video above does not play, you can access it on YouTube here.

Enjoy! xx

How to practice effectively [video]

This is a short video from TED Talk on how to practice more effectively. It includes some useful tips & really interesting information based on what we know about the brain & how we learn tasks.

This ties-in with my previous blogs on rehearsal & my own (admittedly rather limited) research on music and the human brain [see previous posts]. Let me know what you think!

If the above video doesn’t work, here’s a link so you can access the short TED Talk video on YouTube.

Enjoy! xx

Seven Nation Army (cover)

My previous blog mentioned a recent recording date with function band Switch. We recorded about three or four tracks for the band’s website, two of which we filmed videos for.

The first video, for ‘Mercy’, you can watch here.

Our cover of ‘Seven Nation Army’ was the second video we recorded that day. As you can tell from the video, we had a bit of fun with this one. It still has quite a few nice shots of my Gold Epiphone Les Paul though…

Guitar wise, this is the LP from the video, using the neck pickup, coil-tapped. The slide is solid brass & it’s going through one of the studio’s Marshall amps (not the Orange stack you see in the video, though that does sound pretty cool).

Thanks to Loft Music Studios for the recording & production of the track, Nemix Studios for the video location and Artifact Media for shooting it! 

Enjoy!

A song for Black Friday: Mercy (cover)

Is it Black Friday? Have mercy…

Tenuous enough of s link for you? Good.

Earlier this year I hit the studio with function band Switch, and this cover of ‘Mercy’ (made famous by Duffy) was one of the tracks we recorded.

The guitar I used was the same one you can see in the video: Fender Modern Player Stratocaster going through one of the in-house Marshall combos at the Loft Studios.

Thanks to Loft Studios, Newcastle upon Tyne, for the recording session & production. Also many thanks to Nemix studios (also Newcastle), which was our location for the video, and to Artifact Media for the film production!

Enjoy!

#5×4 (demo) – New Music

New music! Listen to it by clicking here.

In recent posts, I’ve discussed one of my current works-in-progress, a four movement minimalist work. You can read about the opening movement, #6×5, here.

The new video is the next movement to be almost entirely completed, #5×4. Again arranged for solo or duo piano, this is the slow movement of the work. Though using the same principles as #6×5, this piece is the exact opposite in a number of ways.

Firstly, and perhaps most obviously, is the ambience of the movement itself. It was created as a reflective piece while I thinking about the recent passing of a dear family member. The rhythm has an unchallenged 4/4 feel throughout. All of th parts work together well harmonically, so there is nowhere near the level of dissonance as we hear in #6×5.

Secondly, the ‘rules’ (for want of a better description) of the overall piece are more relaxed in this movement. Where #6×5 features six separate motifs, each of which are five notes in length, #5×4 is more general. True, there are only five motifs throughout. However, the number of notes in each ofthis piece’s musical phrases is an average. For example, the lead phrase uses five notes, so to balance this out one of the other motifs is comprised of a mere three notes. Also, the four notes (on average) in each motif refer to unique notes. For example, one of the repeating phrases runs: D A D A F# D B. While there is reputation of D’s and A’s, there are only four separate pitches in the entire motif.

 

Image from the video for #5×4 (Tim Higgins)

So, why have I used such a relaxed approach in this movement? And does it go against the principles of minimalist music?

Here are the main arguments justifying my compositional choices:

  1. First and foremost, good music is good music. I like how this piece sounds, very much the way it first came to me.
  2. Rules are made to be broken (a topic I have covered in several previous posts)!

This piece came very quickly for me. In refining it, I’ve tried to ensure a small element of development while retaining the simplicity of the soft, repeating lines. To me, I still think of the same person who inspired the creation of this music. The remaining two movements will be a combination of the frantic style of #6×5 and the hypnotic repetotion of #5×4. However, as always, I’d love to hear what your thoughts so do get in touch!

Give the new trailer a listen. Visually, I used pictures from a recent visit to Marciac and the surround region of Midi-Pyrenees, in the south of France. The gorgeous vineyards & crop fields on those beautiful sunny days seems to lend itself well to the calm and reflective elements of the music. I also noticed that juxtaposing this piece over pictures of Marciac and Bassouse added a certain air of melancholy to the images, as if the towns had been abandoned (they most certainly haven’t been). Feel free to leave a comment below – updates on the remaining two movements to follow very soon!

 

Image from the video for #5×4 (Tim Higgins)

 

My demo video for #5×4, as well as all of my current demos & videos, are available on my Vimeo page.