Tag Archives: usa

Great Guitarists Week, Day 2: Barney Kessel

Welcome back to my Great Guitarists mini series (you can read Day One’s piece on Earl Klugh here). Today, allow me to introduce you to my favourite guitar player of all time…

Barney Kessel

While Kessel might not be the most recognisable face or name to many, his prolific session work over several decades means you are guaranteed to have heard his guitar playing. Early gigs for Kessel included the bands of Chico Marx, Artie Shaw, Charlie ‘Bird’ Parker and Oscar Peterson.

Later, he was one of the regular LA session players known collectively (and famously) as The Wrecking Crew. Around the same time, Kessel found ample work as an accompanist. His most recognisable song is Julie London’s definitive version of ‘Cry Me A River’ (from her 1955 album Julie Is Her Name – worth checking out for Kessel’s guitar arrangements alone). He also provided similar guitar backing for several other great jazz singers, such as Billie Holiday, Ella Fitzgerald and Anita O’Day.

Born in Muskogee, Oklahoma, in 1923, Kessel was known by early bandmates for practising up to 16 hours a day. Judging by the amount of work he had, those hours of practice clearly paid off – and I haven’t even touched upon the countless records he released under his own name, not to mention his film scores, world tours with other legendary jazz guitarists or his regular guitar advice column!

In terms of a definitive track, where do I start? Pick up any album by him and you’ll be rewarded with his amazing guitar playing, from choral soloing through to wonderfully fluid single note lines. Kessel played hollowbody electrics almost exclusively, and although he moved around from various Gibsons to Kay models and back again, his thick tone with a piano-like clarity rings through. Perhaps we should begin with his beautiful version of the jazz standard Autumn Leaves, performed live in this video from 1979. Enjoy!

As always, do tell me what you think. The full list of guitar players featured in this week’s series aren’t set in stone yet, so if you have any suggestions (ideally with a jazz bent for this week’s run), please do get in touch. I love hearing what you guys think!

Until tomorrow…

Welcome to the Twenties

Happy New Year, everybody & welcome to the Twenties!

The St Louis Cotton Club Band, in a truly epic photoshoot, crica 1925

It’s been a while since I’ve posted a blog. Life conspired to get in the way!

So here’s the main updates from me…

I’m fast approaching my third year as a music therapist, and for the better part of a year, I’ve been working five days a week, across Northumberland & Cumbria. For those of you from outside the UK, these two counties are not only the northernmost in England (bordering Scotland above), but also the most rural. This means as well as a full working week, I’ve got a longer commute than average, which eats into my free time somewhat.

To counter this, and because it’s less of an economic necessity nowadays, I’m stepping back a little from corporate live work. For the last decade, 80% of my gigs were weddings & events. While it’s been amazing, the time has come to be a little more selective with the performing work I take on.

I’ll still be gigging, but it’ll be music I fully believe in…

…such as my own projects, which are finally scheduled to get off the ground this year! Thanks to what I’ve started calling the Commune Method (using the same players on everyone’s projects, producing one person’s creative work at a time), I have a small team of talented musicians and producers to help me get my newer compositions down on a format I can share with you soon – updates to follow!

Finally, I’ll be refreshing my gear list in a new post soon, the crowing glory of which will be the custom-made classical guitar that has been built for me! Very excited to share more details with you soon in a post all of it’s own.

Naturally, since we’re in the ’20s now, it’s easy to draw parallels between the times we live in and those from a century ago. Far-right thinking is entering the mainstream, and it feels to many as if many G20 countries are bogged down in nationalism, isolationism and teetering on yet more war. Yet such times produce good art. Except this time around, more than ever, the art is all of us, and I hold out the hope that it’s not too late to learn from the mistakes of the past.

Finally, thinking about the ‘prohibition’ age in ’20s America, I’m struck by the creative lengths people went to in order to continue drinking. I’ve said it before but it bears repeating, true creativity comes from working in and around the rules, when necessary.

Until next time…

A ‘Harp Guitar’ – where can I get one?

Reblog: NAMM 2018 – meh

Another insight regarding NAMM 2018.

What I find particularly interesting is the self-acceptance near the start (“I’ve found my sound. I know that whatever gear I play, I will sound like me”) which I feel all good guitarists, and indeed musicians, reach at a certain point.

Don’t get me wrong, I love talking about gear and guitars, but for me, these are tools. My guitars are facilitators, helping me achieve my own sound in the most effective and hassle-free manner possible. As always, I’d be interested to hear your own experiences in this regard, so do get in touch!

See the full reblog below:

NAMM 2018: Meh…

Until next time!

Tim X

LEAKED: Fenders ‘Parallel Universe’ range

Some guitar news.

Just when you thought the big names, including Fender, were resting on their laurels with tweaks of their old classics (most of which have been mainstays in popular music since their introduction in the 1950’s & 1960’s), THIS is leaked…

Pic via GearNews.com

 

Fender’s ‘Parallel Universe’ range. A new model every month, starting in April this year.

Assuming the information leaked is correct, these guitars appear to be a funky mashup of the classic Fender shapes, mixing Stratocasters, Telecasters, Jazzmasters and Jaguars in some eye-catching combinations. Some of them, such as the ‘Troublemaker Tele’, have a Gibsonesque feel. Available in two finishes, I think these might be my favourite of the soon-to-be-released iterations…

Pic via GearNews.com

The downside? They’re apparently priced at over a grand a a half. Oh well…

The full story is available from a few sites, but I recorded my information from the two sites in the links below:

GearNews.com
MusicRadar.com

What do you think? As always, your thoughts & comments are welcome…