Tag Archives: news

Gear talk (4): Stratocaster mods & repairs

In the last year, I’ve been using my two Squier Strats for the majority of my live work. My blue Made-in-Mexico Fender HSS Strat (let’s just call it the Blue One for the rest of this post) has been in semi-retirement, for two reasons:

  • It’s my most expensive electric. The Squiers are much cheaper to replace if a drunk guest at a wedding/corporate gig (about 80-90% of my live work with the electric guitars) kicks, spills beer on or otherwise ruins one of them!
  • It still has a humbucker-strength, high-output pickup in the middle position (a Seymour Duncan Hot Rails).

My MIM Blue Stratocaster, before the Hot Rails pickup (middle) was removed.

Nowadays, the bands I work with on a regular basis don’t require that full-on, airy sound I previously used so often. I also missed the in-between sound achieved by using the neck & middle pickups together, as the Hot Rails tended to dominate in the mix. Time for a change…

In with the old

So the Hot Rails is coming out. What do I replace it with? This guitar has been my ‘Hot Strat’ for the best part of two decades; I require a classic-sounding pickup which isn’t considerably weaker than the neck & bridge pups.

By chance, I stumbled across another Fender Vintage Noiseless for sale on a well-known online auction site (you know which one) and snapped it up for a great price. Perfect! Now I have exactly the same pickup in both neck & middle positions, which means I don’t need to worry about how they’ll match up together.

How does it feel?

In a word: good. But we need more words. It’s very, very good.

This guitar remains a souped-up Strat for rock gigs & studio work. But now, it’s regained a wider range of the ‘classic’ Strat sounds. The sparkle & twang you’d expect to hear are all present, with a lovely ‘quack’ in positions 2 & 4. The middle pickup on its own has a lovely BB King feel to it, especially when my amp is clean but just starting to push into breaking up. Marvellous!

I haven’t had a true single coil in this axe since I took out the stock pickups over a decade ago. Those original ceramics weren’t great, which is why I changed them. These, however, are somewhat wonderful.

A true HSS once more, thanks to the Vintage Noiseless pickup (middle).

But wait! There’s more…

As well as swapping the pickup, my tech guy also rewired the tone controls. The back tone knob now controls the bridge humbucker, leaving the middle pickup unwired. This means that the middle pickup is effectively always set to 10. However, this enables a certain shimmer to come through when selecting the in-between positions (2 & 4), adding definition without dominating the mix. Add to this the new ability to dial back some of the harsh top-end on my bridge humbucker, and I expect to be using the bridge more on clean settings as well as continuing to exploit it’s beautiful overdriven tone.

In particular, the aforementioned shimmer (there really isn’t another word to describe it) from the middle pickup adds a lovely bite when using this pup in combination with the bridge. This is especially true when played through a slightly pushed amp – perfect for a tough yet clear Robert Cray-style lead tone. And that is a very good thing, in my opinion!

In other gear news…

My Squier Classic Vibe Strat was also in need of a little TLC. I noticed at a recent gig that the volume pot was starting to come loose. Mercifully, this has been easily fixed before it became a serious problem (and started pulling on the wiring, potentially cutting out the sound altogether).

This only leaves a few mods on my other Squier, the blonde Vintage Modified Strat, still to do. I’m looking to make a few changes to the electrics on this axe, which I’ll discuss in greater detail in a later post. For now, I can say that I am in talks with a small pickup manufacturer in the USA regarding a custom set of single coils. But that’s a story for another time…

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Guitar News: Fender announce new Player Series to replace MIM models

Recent news from Fender. It looks like the ‘Made In Mexico’ tag is being either rechristened or replaced…


There’s more on the story via this link to Reverb.com:

https://reverb.com/uk/news/fender-discontinues-mim-standard-series-replaces-with-the-player-series

The general consensus amongst guitar gear fans is that the MIM range improved greatly from 2006. I briefly owned one from 2012 (a lovely HSH model I sold as I wasn’t using anywhere near enough) and can testify to the improvement. My first ‘proper’ electric guitar was a Fender MIM Strat from 2000, which I still own. Hopefully I’ll never part with it. The original pickups were a little flat but otherwise I can’t fault it – but that’s just my humble opinion.

(I upgraded the pickups on this old Strat around ten years ago – more in that in a new post coming soon).
Still, having given up the more recent MIM guitar, I might have to give these new ‘Player Series’ models a look-over in the very near future. Do let me know your thoughts…

Reblog: NAMM 2018 – meh

Another insight regarding NAMM 2018.

What I find particularly interesting is the self-acceptance near the start (“I’ve found my sound. I know that whatever gear I play, I will sound like me”) which I feel all good guitarists, and indeed musicians, reach at a certain point.

Don’t get me wrong, I love talking about gear and guitars, but for me, these are tools. My guitars are facilitators, helping me achieve my own sound in the most effective and hassle-free manner possible. As always, I’d be interested to hear your own experiences in this regard, so do get in touch!

See the full reblog below:

NAMM 2018: Meh…

Until next time!

Tim X

LEAKED: Fenders ‘Parallel Universe’ range

Some guitar news.

Just when you thought the big names, including Fender, were resting on their laurels with tweaks of their old classics (most of which have been mainstays in popular music since their introduction in the 1950’s & 1960’s), THIS is leaked…

Pic via GearNews.com

Fender’s ‘Parallel Universe’ range. A new model every month, starting in April this year.

Assuming the information leaked is correct, these guitars appear to be a funky mashup of the classic Fender shapes, mixing Stratocasters, Telecasters, Jazzmasters and Jaguars in some eye-catching combinations. Some of them, such as the ‘Troublemaker Tele’, have a Gibsonesque feel. Available in two finishes, I think these might be my favourite of the soon-to-be-released iterations…

Pic via GearNews.com

The downside? They’re apparently priced at over a grand a a half. Oh well…

The full story is available from a few sites, but I recorded my information from the two sites in the links below:

GearNews.com
MusicRadar.com

What do you think? As always, your thoughts & comments are welcome…

R.I.P. Chris Cornell (1964-2017)

The music world faced another sad loss with today’s news. Chris Cornell, lead singer and songwriter with three great rock bands, namely Soundgarden, Temple of the Dog & Audioslave, passed away on Wednesday.

In all of these groups his voice rings out & grabs your attention. The video in this post is one of Audioslave’s best songs, performed live.

Back in 2005, Audioslave were playing in Stockholm while I was visiting a friend there, and by chance I ended up catching their show. Cornell played Soundgarden’s ‘Black Hole Sun’ as a solo acoustic number, then followed on with ‘I Am The Highway’ in the same style as this video. It was a brilliant performance which I don’t expect to forget anytime soon.
Rest in peace, Chris Cornell (1964-2017).

New community music centre now open in Cumbria

Some of you may know I am involved with a few community music therapy projects in the north-west of England. Now think it’s time you met ‘me gaffer’, and had a wee peek at the new £2million centre which has recently opened its doors in Penrith, Cumbria.

Annie, Michael & the whole team at Sunbeams Music Trust have been working tirelessly for several years, and not just in fundraising for their brand new centre. Sunbeams Music Trust now provides community music across the region. Their ‘Music for Life’ & ‘Music for Dignity’ projects reach children and adults in schools, day centres, care homes & much more, bringing music (and improved wellbeing) to so many people who need & enjoy it. But there is always more work to be done and more communities & people to reach out to. This new centre will go some way to meeting that obvious need.

Featuring a large performance room, state-of-the-art digital recording studio and small music & therapy rooms, the new centre comes well equipped to meet the needs of the charity. A well-equipped kitchen & boardroom means they can also raise much needed revenue through conferencing & hosting events. The recording studio is also directly linked up to the performance hall, meaning the centre can also serve as a commercial studio capable of recording anything up & including a small orchestra!

Guitars laid out in ‘Lily’s Room’, at the Sunbeams Centre, Cumbria.

My only contribution to the new centre so far has been laying out the guitars on the floor (as above, however the remnants of which can also be briefly glimpsed in the video, via the link below). However, I hope to start leading a few of the projects there from 2017 and truth be told, I can’t wait! The new centre is, in a word, AWESOME!

Sunbeams runs entirely on donations & charity funding. If you haven’t yet chosen a charity to donate to for Christmas, or raise money for throughout 2017, please give Sunbeams some serious consideration.

Fundraiding information can be found on Sunbeam’s donation page.

Thanks, guys! xx

…And here’s the recent feature on the new Sunbeams Centre, courtesy of ITV News.