Tag Archives: gigs

Welcome to the Twenties

Happy New Year, everybody & welcome to the Twenties!

The St Louis Cotton Club Band, in a truly epic photoshoot, crica 1925

It’s been a while since I’ve posted a blog. Life conspired to get in the way!

So here’s the main updates from me…

I’m fast approaching my third year as a music therapist, and for the better part of a year, I’ve been working five days a week, across Northumberland & Cumbria. For those of you from outside the UK, these two counties are not only the northernmost in England (bordering Scotland above), but also the most rural. This means as well as a full working week, I’ve got a longer commute than average, which eats into my free time somewhat.

To counter this, and because it’s less of an economic necessity nowadays, I’m stepping back a little from corporate live work. For the last decade, 80% of my gigs were weddings & events. While it’s been amazing, the time has come to be a little more selective with the performing work I take on.

I’ll still be gigging, but it’ll be music I fully believe in…

…such as my own projects, which are finally scheduled to get off the ground this year! Thanks to what I’ve started calling the Commune Method (using the same players on everyone’s projects, producing one person’s creative work at a time), I have a small team of talented musicians and producers to help me get my newer compositions down on a format I can share with you soon – updates to follow!

Finally, I’ll be refreshing my gear list in a new post soon, the crowing glory of which will be the custom-made classical guitar that has been built for me! Very excited to share more details with you soon in a post all of it’s own.

Naturally, since we’re in the ’20s now, it’s easy to draw parallels between the times we live in and those from a century ago. Far-right thinking is entering the mainstream, and it feels to many as if many G20 countries are bogged down in nationalism, isolationism and teetering on yet more war. Yet such times produce good art. Except this time around, more than ever, the art is all of us, and I hold out the hope that it’s not too late to learn from the mistakes of the past.

Finally, thinking about the ‘prohibition’ age in ’20s America, I’m struck by the creative lengths people went to in order to continue drinking. I’ve said it before but it bears repeating, true creativity comes from working in and around the rules, when necessary.

Until next time…

A ‘Harp Guitar’ – where can I get one?

Other people show pictures of their kids. I go on about my three ‘workhorse’ gigging guitars…

Video: Funk & Soul Medley (with Switch)

Been a while since my last post (several life-changing events recently – all positive!) but thought I’d post a new video from Switch.

For those new to my blog, Switch are my main function band at the moment. I’ve been their guitar player since the beginning of 2015, and we’ve performed at all manner of function & event in that time.

This medley was recorded last winter, but only recently uploaded by the band. It features three funk & soul songs, all of which are staples of the wedding/function band scene:

  • Signed, Sealed, Delivered (Stevie Wonder)
  • Never Too Much (Luther Vandross)
  • Ain’t Nobody (Chaka Khan)

This medley showcases Switch’s full six-piece lineup of female vocals, bass, drums, keys, guitars & male backing vox (me), plus alto sax & female backing vox.

For my part in this recording, the guitar used was my Fender Modern Player Stratocaster (short scale model), DI’d direct into the studio desk. Recording took place at Nemix Studios in Newcastle upon Tyne, England. I must admit that I don’t know which ‘re-amp’ patches were used for my guitar tones, other than I requested a Fender Blackface/Deluxe style amp for the clean sound. Sorry there isn’t any more detail….

As always, let me know what you think. In case the video above does not play, you can access it on YouTube here.

Enjoy! xx

R.I.P. Chuck Berry (1926-2017)

R.I.P. Charles Edward Anderson, AKA ‘Chuck’ Berry (1926-2017).

To say that Chuck’s guitar playing was an influence on mine would be to do him quite a large injustice – he influenced everyone!

Building on the foundations of the early blues and jazz single-line players (such as T-Bone Walker, for one), and making great use of double-stops (two notes played at once throughout a phrase) to emulate the horn sections of larger bands, Chuck Berry created rock’n’roll as well know it today.

I could have picked any number of Berry’s songs to share here, but opted for ‘You Never Can Tell’. Best known from it’s inclusion in Pulp Fiction, I sang this tune with Switch as a first dance request for one of our wedding gigs last year. Great fun & a guaranteed floor-filler whenever we’ve played it since…

https://youtu.be/qK5N2LavUZQ

The live version by Berry & band in the video above below features some pretty cool soloing by the big man (not featured on the original 45rpm recording). Enjoy! x