Tag Archives: gigs

Video: Funk & Soul Medley (with Switch)

Been a while since my last post (several life-changing events recently – all positive!) but thought I’d post a new video from Switch.

For those new to my blog, Switch are my main function band at the moment. I’ve been their guitar player since the beginning of 2015, and we’ve performed at all manner of function & event in that time.

This medley was recorded last winter, but only recently uploaded by the band. It features three funk & soul songs, all of which are staples of the wedding/function band scene:

  • Signed, Sealed, Delivered (Stevie Wonder)
  • Never Too Much (Luther Vandross)
  • Ain’t Nobody (Chaka Khan)

This medley showcases Switch’s full six-piece lineup of female vocals, bass, drums, keys, guitars & male backing vox (me), plus alto sax & female backing vox.

For my part in this recording, the guitar used was my Fender Modern Player Stratocaster (short scale model), DI’d direct into the studio desk. Recording took place at Nemix Studios in Newcastle upon Tyne, England. I must admit that I don’t know which ‘re-amp’ patches were used for my guitar tones, other than I requested a Fender Blackface/Deluxe style amp for the clean sound. Sorry there isn’t any more detail….

As always, let me know what you think. In case the video above does not play, you can access it on YouTube here.

Enjoy! xx

R.I.P. Chuck Berry (1926-2017)

R.I.P. Charles Edward Anderson, AKA ‘Chuck’ Berry (1926-2017).

To say that Chuck’s guitar playing was an influence on mine would be to do him quite a large injustice – he influenced everyone!

Building on the foundations of the early blues and jazz single-line players (such as T-Bone Walker, for one), and making great use of double-stops (two notes played at once throughout a phrase) to emulate the horn sections of larger bands, Chuck Berry created rock’n’roll as well know it today.

I could have picked any number of Berry’s songs to share here, but opted for ‘You Never Can Tell’. Best known from it’s inclusion in Pulp Fiction, I sang this tune with Switch as a first dance request for one of our wedding gigs last year. Great fun & a guaranteed floor-filler whenever we’ve played it since…

https://youtu.be/qK5N2LavUZQ

The live version by Berry & band in the video above below features some pretty cool soloing by the big man (not featured on the original 45rpm recording). Enjoy! x

Gear Talk (2)

It’s been almost two years since the last post running through all of my gear (which you can read here), and a lot has changed since then! Time for an update…

What’s the same?

First off, my blue/purple Strat is still my main weapon of choice (pictured, below).

My main Strat, with modded pickups. Seen here with my fave stomp boxes.

Known as the Standard Stratocaster HSS, this Mexican made beauty has been with me for sixteen years now. A few years ago, I upgraded the pickups to:

  • Fender Vintage Noiseless (neck)
  • Seymour Duncan Cool Rails (middle)
  • Seymour Duncan ’59 humbucker (bridge)

I love the combination of these pickups, not to mention their individual tones. I’m buying a new ‘fat Strat’ soon (expect a review to follow) and should I find the standard pickups somewhat lacking in quality, I’ll be replacing them with the same choices mentioned above.

What else has remained the same?

My acoustics – the Taylor 314ce, Admira classical and Tanglewood electro acoustic – are the same as before. My ukulele is a standard concert model by Kauai.

Most of my pedals have remained the same but here’s a quick rundown of my main stompboxes:

  • Joyo Vintage Overdrive (highly recommended!)
  • HotOne Boost
  • Boss OD3 (overdrive) & DS1 (distortion)
  • Marshall Bluesbreaker overdrive
  • Snarling Dogs Wah
  • Joyo Digital Delay

I have a pedal board to house all of these. However, I often simply take two or three pedals out to a gig without the board. This changes from gig to gig, but looking back through the pics on my Twitter account, I find the Joyo Vintage OD (a top quality tubescreamer clone for a fraction of the price) usually makes an appearance.

So what’s new?

ELECTRICS

My current second Strat is a Chinese made Modern Player Stratocaster. Interestingly, it is short scale (24 inches instead of the usual 25.5). Apart from being a feet shorter on the neck (only twenty) you barely notice when playing, though the body is a little smaller. In terms of sound, the pickups on this are classic Strat and I love the Guild humbucker in the bridge – the chrome looks really cool against the scratch plate (see pic below, sun best guitar on the left)!

Modern Player short scale Strat, sunburst (left); Mexican HSS Strat, midnight blue (right); Fender Stage 100 solid state amp (rear).

Finally, I also own an Epiphone Les Paul plus top PRO. The main difference between this and the standard Epi LP is that both the top quality pickups are coil-tapped. They’re also uncovered, which looks very funky against the gold finish (see pic, below).

Epiphone Les Paul plus top PRO, gold with those beautiful uncovered ‘zebra’ humbuckers.

When I bought this guitar, I thought I’d be using it with bands in the heavier end of the rock spectrum. However, I’ve found myself using it more & more for blues & jazz gigs. It was my main guitar for my blues workshops at the Sage Gateshead this summer, and provided those early blues times perfectly.

AMPS

I’ve finally bowed to the inevitable and invested in a digital amp. I’m glad I waited, because evidently Fender did too. The first wave of modelling amps were full of lags & bugs. By waiting, Fender’s first foray into the genre ensured they got it right first time. Even then, they were minor bugs, quickly improved in the line of amps released when I started looking – and now I’m a very happy owner of a Mustang III version 2 (pictured below).

Fender Mustang III v.2 digital amp, pictured here with my gold Epi LP.

This has every amp option you can think of, as well as every effect you’ll ever need. I prefer to keep my overdrive stompboxes, which frees up the amp to add modulation effects (such as phaser or their wonderful chorus choices). There’s room for a hundred saved channels, which is more than I need but useful to have. Also, their pitch-shift effect allows me to down tune the entire guitar without the need to, well, actually down tune the guitar! Very cool!

What else?

Well… I’ve just today ordered a Fender HSH Strat, so expect a review when that arrives. I’m also quite keen to look at a few more pedals from Joyo. Watch this space.

Until next time… 

Musicians needed in north east UK (new alt-folk project)

Yet another call to arms for folk musicians & singer-songwriters in the area. Here’s the gist from the ad:

Hi all, professional guitar player, composer and teacher here, looking to get a few musicians (particularly those who sing) to help me finish off a few pieces and songs I’ve started. Hoping to get them recorded this year with gigs to go with them.

This new project will cross a few genres, but be centred mostly around alt-folk and ambient rock. Part of it will be the reimagining of old folk tunes and the rest will be matching style songs written by us, including instrumentals. I’ve had this project running in the background for a while but need a few extra hands on deck to get it finished & now I have the spare time to devote to it this summer so let’s do this!

Also, if you are a singer-songwriter doing similar music already, and are looking for a collaborator or a guitarist/composer to flesh out your material, please do get in touch!

Ideally, you will be a performing, experienced and above all, talented musician somewhere between 20-40 (I’m 31). However, here a few things I will most likely not reply to:

*’Beginner Singers’ – those who can sing, but are only now looking for their first few gigs

*Covers acts

*Metal or punk bands looking for guitarists

*guitarists (unless you are lead vocalists as well)

I play guitar of all shapes, sizes & genres. I also play pretty much everything in the guitar family from ukuleles and mandolins out to banjos and sitars (if you have one!) so guitar wise, I have it covered thanks!

Exceptions to this would be if you are already in a band performing the sort of material I describe above, and are looking for an additional guitar player/instrumentalist/songwriter. If so, send me your songs and what you’re looking for.

If you have any videos of your playing/singing, even better. Happy to meet up & jam to see how we gel. I should also point out at this juncture that I have regular work in a wedding/covers band which takes up a lot of my Fri & Sat nights. Gigs, therefore, would be fitted around these, such as weeknights, etc. If we could get this band to perform one gig a month on average by the end of this year, I would be happy, then we can take it from there…

Think you fit the bill? You can reply to me via this site it click on the original advert here to reply via email. You know what to do!

I look forward to hearing from you all!

Gear Talk

I’ve been asked about the gear I use a fair few times this year so while I have a little spare time today, I thought I’d share with you details of the regular equipment I use.

ELECTRICS
My main guitars (which go out on every electric guitar gig) are both Mexican ‘Fat Strats’ by Fender. Both are made of Alder and feature Rosewood fingerboards.

The spare (my black one) was bought from the USA already customised, with humbucker in the bridge position and one master tone control. Where the second tome used to be is now a three-way toggle to split the humbucker to either half on their own or fully combined, which works brilliantly for acoustic simulation (and a lot less hassle than lugging an acoustic guitar about for one or two tunes!).

The main (blue one, pictured) is a Mexican ‘fat’ Strat (humbucker in the bridge). A few years back, I upgraded all three of the pickups. The bridge now houses a Seymour Duncan J-45 (usually used in Les Pauls) which gives a delightfully ‘throaty’ but open overdriven sound. The middle pickup is a Seymour Duncan ‘Cool Rails’ – but don’t let the name fool you – this packs a wonderfully modern-sounding punch and effectively gives me a humbucker in the middle position. Plus, switching to the position between bridge and middle gives an amazing ‘quack’ sound that cuts through a full band mix brilliantly when both clean and driven. The neck is a Fender Vintage Noiseless. This is my only single coil on the guitar and I wouldn’t have it any other way. I love the ‘pout’ you get from the Strat’s neck pickup and would never sacrifice what is my all-time favourite guitar tone for a little extra power.

AMPS AND EFFECTS PEDALS
My electric amp is a ten+ year old Fender Stage 100. They don’t make these any more but are without a shadow of a doubt the best transistor amplifier out there. I gig far too much to deal with the unreliability of valve amps and with one this good (and thanks to the 12″ Celestion ‘Greenback’ speaker, an amp this LOUD) I hopefully never need to. It’s been serviced twice in all of the time I’ve had it (since new) and works a real treat.
Should I ever upgrade, I have heard good things about Fender’s digital range and tried out a Roland 80 Cube last year. While the Cube impressed me a lot, it only had two switchable channels, and I’m rather spoilt by having the option of an additional drive channel with my amp, so looks like I’m sticking with it for now.

I don’t use many effects but rely on a BOSS OD3 as a solo boost (or occasionally as an ‘additional overdrive channel’ when I need a different sound to my amp.
My main solo boost pedal is a rather cheap and relatively unknown make, called a ‘Vintage Overdrive’ (JF-01) by Joyo Pedals. Joyo are a Chinese company and this pedal features the same chip inside as the classic TS-808 Tube Screamer. Put simply, it sounds amazing for lead work. I cannot recommend this pedal highly enough (and it costs less than £30 – you may as well buy two so you have a spare handy)!
My other effects are a Digital Delay (another wonderful Joyo creation) and a Cry Baby Wah-Wah.

ACOUSTICS
Classical: Admira Sevilla.
Higher-level ‘student’ model with a solid Cedar top. One of the most beautiful-sounding guitars I have played in this price range, and my nylon-strung axe of choice for solo classical gigs.
Electro-Acoustic: Taylor 314CE.
I first tried out this guitar over ten years ago, then shopped around for SIX MONTHS for another guitar which felt so comfortable and natural under the fingers, not to mention sound anywhere near as good. I failed, and eventually had to stump up the extra cash to buy the Taylor. It was money very well spent. Taylor’s range is extensive and I seriously suggest you try one out – they will have something which suits you, particularly if your style is heavily folk/fingerstyle based.

The gear I use has seen me through countless gigs, concerts and studio sessions with very few problems all in all. That said, if anyone has equipment out there that they feel would suit me (I play a huge range of styles) please do get in touch – I will happily borrow a guitar/amp for a weekend or two and put it through it’s paces at a few gigs, then review for you. My reviews appears on this blog, but will also happily write (or edit the blog to suit) for other gear/guitar review sites, as well as your own media. Get in touch via the blog or find me on Twitter (@tim_guitarist) to discuss!

Happy playing!

Jazz Musicians Needed ASAP

My Jazz outfit, JazzBaby, are looking for new members.

Our existing bass player has had to bow out following personal commitments, leaving room for a talented and experienced jazz player. Ideally, you will be a double bassist as well, with decent sight reading ability and good compositional/improvisational skills.

JazzBaby are a new exciting Jazz project in the North East of England. Already gigging as a guitar/vocals duo, we wish to add double bass to this setup for greater depth. We are also a four/five peice function act, mixing standards with more contemporary covers, with or without vocals. We are also getting an increasinly number of requests for our Lindy Hop/Swing Dance sets (20’s to 40’s), typically providing music for vintage dance nights or retro-themed weddings.
In addition to this, we hope to be writing anf recording our own material during the summer and taking this into the live arena at the end of this year. I have contacts in a popular chain of venues and am finalising slots in Jazz festivals in 2015.

If you’d like to be part of this, playing an active role in composition of new material, or if you would like to know more, get in touch with me via email: tim_guitar@hotmail.com
If you know someone who might be interested in this position, please refer my details on and ask them to get in touch with ‘JazzBaby’ in the subject line of their email.

Tim