Tag Archives: gear

Gear Talk (5): a rare gem

In all of my previous ‘Gear Talk’ blogs, one of the pedals that went unmentioned was this one, the Snarling Dogs ‘Mold Spore’ wah…

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For many years, before I started this blog, this beast was my main wah. It’s heavy enough & solid enough to stay put on stage, and the three options for different voicings make this a very versatile effect to have at your feet. On top of that, it also features a Ring Modulator die some psychadellic nosiness. Both effects can be used seperately or together for some pretty crazy sounds.

The company Snarling Dogs closed nearly twenty years ago, so this already unique effect is now something if a rare find. I had it refurbished & cleaned up a year or so ago, and intended to start using it live again. The thing is, I hardly use wah at all now, so this pedal has been sitting in my cupboard unused.

After a lot of thought, I’ve decided to sell it. Sure, I could keep it as a rare collectors-item. However, the (no small) amount of money I could sell it for now would go a long way towards a new guitar – something that I will actually use. And that seems more important to me. My studio and musical career are areas of work, not a museum.

Still, this bad boy will be missed…

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Gear talk (4): Stratocaster mods & repairs

In the last year, I’ve been using my two Squier Strats for the majority of my live work. My blue Made-in-Mexico Fender HSS Strat (let’s just call it the Blue One for the rest of this post) has been in semi-retirement, for two reasons:

  • It’s my most expensive electric. The Squiers are much cheaper to replace if a drunk guest at a wedding/corporate gig (about 80-90% of my live work with the electric guitars) kicks, spills beer on or otherwise ruins one of them!
  • It still has a humbucker-strength, high-output pickup in the middle position (a Seymour Duncan Hot Rails).

My MIM Blue Stratocaster, before the Hot Rails pickup (middle) was removed.

Nowadays, the bands I work with on a regular basis don’t require that full-on, airy sound I previously used so often. I also missed the in-between sound achieved by using the neck & middle pickups together, as the Hot Rails tended to dominate in the mix. Time for a change…

In with the old

So the Hot Rails is coming out. What do I replace it with? This guitar has been my ‘Hot Strat’ for the best part of two decades; I require a classic-sounding pickup which isn’t considerably weaker than the neck & bridge pups.

By chance, I stumbled across another Fender Vintage Noiseless for sale on a well-known online auction site (you know which one) and snapped it up for a great price. Perfect! Now I have exactly the same pickup in both neck & middle positions, which means I don’t need to worry about how they’ll match up together.

How does it feel?

In a word: good. But we need more words. It’s very, very good.

This guitar remains a souped-up Strat for rock gigs & studio work. But now, it’s regained a wider range of the ‘classic’ Strat sounds. The sparkle & twang you’d expect to hear are all present, with a lovely ‘quack’ in positions 2 & 4. The middle pickup on its own has a lovely BB King feel to it, especially when my amp is clean but just starting to push into breaking up. Marvellous!

I haven’t had a true single coil in this axe since I took out the stock pickups over a decade ago. Those original ceramics weren’t great, which is why I changed them. These, however, are somewhat wonderful.

A true HSS once more, thanks to the Vintage Noiseless pickup (middle).

But wait! There’s more…

As well as swapping the pickup, my tech guy also rewired the tone controls. The back tone knob now controls the bridge humbucker, leaving the middle pickup unwired. This means that the middle pickup is effectively always set to 10. However, this enables a certain shimmer to come through when selecting the in-between positions (2 & 4), adding definition without dominating the mix. Add to this the new ability to dial back some of the harsh top-end on my bridge humbucker, and I expect to be using the bridge more on clean settings as well as continuing to exploit it’s beautiful overdriven tone.

In particular, the aforementioned shimmer (there really isn’t another word to describe it) from the middle pickup adds a lovely bite when using this pup in combination with the bridge. This is especially true when played through a slightly pushed amp – perfect for a tough yet clear Robert Cray-style lead tone. And that is a very good thing, in my opinion!

In other gear news…

My Squier Classic Vibe Strat was also in need of a little TLC. I noticed at a recent gig that the volume pot was starting to come loose. Mercifully, this has been easily fixed before it became a serious problem (and started pulling on the wiring, potentially cutting out the sound altogether).

This only leaves a few mods on my other Squier, the blonde Vintage Modified Strat, still to do. I’m looking to make a few changes to the electrics on this axe, which I’ll discuss in greater detail in a later post. For now, I can say that I am in talks with a small pickup manufacturer in the USA regarding a custom set of single coils. But that’s a story for another time…

Guitar News: Fender announce new Player Series to replace MIM models

Recent news from Fender. It looks like the ‘Made In Mexico’ tag is being either rechristened or replaced…


There’s more on the story via this link to Reverb.com:

https://reverb.com/uk/news/fender-discontinues-mim-standard-series-replaces-with-the-player-series

The general consensus amongst guitar gear fans is that the MIM range improved greatly from 2006. I briefly owned one from 2012 (a lovely HSH model I sold as I wasn’t using anywhere near enough) and can testify to the improvement. My first ‘proper’ electric guitar was a Fender MIM Strat from 2000, which I still own. Hopefully I’ll never part with it. The original pickups were a little flat but otherwise I can’t fault it – but that’s just my humble opinion.

(I upgraded the pickups on this old Strat around ten years ago – more in that in a new post coming soon).
Still, having given up the more recent MIM guitar, I might have to give these new ‘Player Series’ models a look-over in the very near future. Do let me know your thoughts…

Reblog: NAMM 2018 – meh

Another insight regarding NAMM 2018.

What I find particularly interesting is the self-acceptance near the start (“I’ve found my sound. I know that whatever gear I play, I will sound like me”) which I feel all good guitarists, and indeed musicians, reach at a certain point.

Don’t get me wrong, I love talking about gear and guitars, but for me, these are tools. My guitars are facilitators, helping me achieve my own sound in the most effective and hassle-free manner possible. As always, I’d be interested to hear your own experiences in this regard, so do get in touch!

See the full reblog below:

NAMM 2018: Meh…

Until next time!

Tim X

LEAKED: Fenders ‘Parallel Universe’ range

Some guitar news.

Just when you thought the big names, including Fender, were resting on their laurels with tweaks of their old classics (most of which have been mainstays in popular music since their introduction in the 1950’s & 1960’s), THIS is leaked…

Pic via GearNews.com

Fender’s ‘Parallel Universe’ range. A new model every month, starting in April this year.

Assuming the information leaked is correct, these guitars appear to be a funky mashup of the classic Fender shapes, mixing Stratocasters, Telecasters, Jazzmasters and Jaguars in some eye-catching combinations. Some of them, such as the ‘Troublemaker Tele’, have a Gibsonesque feel. Available in two finishes, I think these might be my favourite of the soon-to-be-released iterations…

Pic via GearNews.com

The downside? They’re apparently priced at over a grand a a half. Oh well…

The full story is available from a few sites, but I recorded my information from the two sites in the links below:

GearNews.com
MusicRadar.com

What do you think? As always, your thoughts & comments are welcome…

Gear Talk (2)

It’s been almost two years since the last post running through all of my gear (which you can read here), and a lot has changed since then! Time for an update…

What’s the same?

First off, my blue/purple Strat is still my main weapon of choice (pictured, below).

My main Strat, with modded pickups. Seen here with my fave stomp boxes.

Known as the Standard Stratocaster HSS, this Mexican made beauty has been with me for sixteen years now. A few years ago, I upgraded the pickups to:

  • Fender Vintage Noiseless (neck)
  • Seymour Duncan Cool Rails (middle)
  • Seymour Duncan ’59 humbucker (bridge)

I love the combination of these pickups, not to mention their individual tones. I’m buying a new ‘fat Strat’ soon (expect a review to follow) and should I find the standard pickups somewhat lacking in quality, I’ll be replacing them with the same choices mentioned above.

What else has remained the same?

My acoustics – the Taylor 314ce, Admira classical and Tanglewood electro acoustic – are the same as before. My ukulele is a standard concert model by Kauai.

Most of my pedals have remained the same but here’s a quick rundown of my main stompboxes:

  • Joyo Vintage Overdrive (highly recommended!)
  • HotOne Boost
  • Boss OD3 (overdrive) & DS1 (distortion)
  • Marshall Bluesbreaker overdrive
  • Snarling Dogs Wah
  • Joyo Digital Delay

I have a pedal board to house all of these. However, I often simply take two or three pedals out to a gig without the board. This changes from gig to gig, but looking back through the pics on my Twitter account, I find the Joyo Vintage OD (a top quality tubescreamer clone for a fraction of the price) usually makes an appearance.

So what’s new?

ELECTRICS

My current second Strat is a Chinese made Modern Player Stratocaster. Interestingly, it is short scale (24 inches instead of the usual 25.5). Apart from being a feet shorter on the neck (only twenty) you barely notice when playing, though the body is a little smaller. In terms of sound, the pickups on this are classic Strat and I love the Guild humbucker in the bridge – the chrome looks really cool against the scratch plate (see pic below, sun best guitar on the left)!

Modern Player short scale Strat, sunburst (left); Mexican HSS Strat, midnight blue (right); Fender Stage 100 solid state amp (rear).

Finally, I also own an Epiphone Les Paul plus top PRO. The main difference between this and the standard Epi LP is that both the top quality pickups are coil-tapped. They’re also uncovered, which looks very funky against the gold finish (see pic, below).

Epiphone Les Paul plus top PRO, gold with those beautiful uncovered ‘zebra’ humbuckers.

When I bought this guitar, I thought I’d be using it with bands in the heavier end of the rock spectrum. However, I’ve found myself using it more & more for blues & jazz gigs. It was my main guitar for my blues workshops at the Sage Gateshead this summer, and provided those early blues times perfectly.

AMPS

I’ve finally bowed to the inevitable and invested in a digital amp. I’m glad I waited, because evidently Fender did too. The first wave of modelling amps were full of lags & bugs. By waiting, Fender’s first foray into the genre ensured they got it right first time. Even then, they were minor bugs, quickly improved in the line of amps released when I started looking – and now I’m a very happy owner of a Mustang III version 2 (pictured below).

Fender Mustang III v.2 digital amp, pictured here with my gold Epi LP.

This has every amp option you can think of, as well as every effect you’ll ever need. I prefer to keep my overdrive stompboxes, which frees up the amp to add modulation effects (such as phaser or their wonderful chorus choices). There’s room for a hundred saved channels, which is more than I need but useful to have. Also, their pitch-shift effect allows me to down tune the entire guitar without the need to, well, actually down tune the guitar! Very cool!

What else?

Well… I’ve just today ordered a Fender HSH Strat, so expect a review when that arrives. I’m also quite keen to look at a few more pedals from Joyo. Watch this space.

Until next time… 

Gear Talk

I’ve been asked about the gear I use a fair few times this year so while I have a little spare time today, I thought I’d share with you details of the regular equipment I use.

ELECTRICS
My main guitars (which go out on every electric guitar gig) are both Mexican ‘Fat Strats’ by Fender. Both are made of Alder and feature Rosewood fingerboards.

The spare (my black one) was bought from the USA already customised, with humbucker in the bridge position and one master tone control. Where the second tome used to be is now a three-way toggle to split the humbucker to either half on their own or fully combined, which works brilliantly for acoustic simulation (and a lot less hassle than lugging an acoustic guitar about for one or two tunes!).

The main (blue one, pictured) is a Mexican ‘fat’ Strat (humbucker in the bridge). A few years back, I upgraded all three of the pickups. The bridge now houses a Seymour Duncan J-45 (usually used in Les Pauls) which gives a delightfully ‘throaty’ but open overdriven sound. The middle pickup is a Seymour Duncan ‘Cool Rails’ – but don’t let the name fool you – this packs a wonderfully modern-sounding punch and effectively gives me a humbucker in the middle position. Plus, switching to the position between bridge and middle gives an amazing ‘quack’ sound that cuts through a full band mix brilliantly when both clean and driven. The neck is a Fender Vintage Noiseless. This is my only single coil on the guitar and I wouldn’t have it any other way. I love the ‘pout’ you get from the Strat’s neck pickup and would never sacrifice what is my all-time favourite guitar tone for a little extra power.

AMPS AND EFFECTS PEDALS
My electric amp is a ten+ year old Fender Stage 100. They don’t make these any more but are without a shadow of a doubt the best transistor amplifier out there. I gig far too much to deal with the unreliability of valve amps and with one this good (and thanks to the 12″ Celestion ‘Greenback’ speaker, an amp this LOUD) I hopefully never need to. It’s been serviced twice in all of the time I’ve had it (since new) and works a real treat.

Should I ever upgrade, I have heard good things about Fender’s digital range and tried out a Roland 80 Cube last year. While the Cube impressed me a lot, it only had two switchable channels, and I’m rather spoilt by having the option of an additional drive channel with my amp, so looks like I’m sticking with it for now.

I don’t use many effects but rely on a BOSS OD3 as a solo boost (or occasionally as an ‘additional overdrive channel’ when I need a different sound to my amp.
My main solo boost pedal is a rather cheap and relatively unknown make, called a ‘Vintage Overdrive’ (JF-01) by Joyo Pedals. Joyo are a Chinese company and this pedal features the same chip inside as the classic TS-808 Tube Screamer. Put simply, it sounds amazing for lead work. I cannot recommend this pedal highly enough (and it costs less than £30 – you may as well buy two so you have a spare handy)!
My other effects are a Digital Delay (another wonderful Joyo creation) and a Cry Baby Wah-Wah.

ACOUSTICS
Classical: Admira Sevilla.
Higher-level ‘student’ model with a solid Cedar top. One of the most beautiful-sounding guitars I have played in this price range, and my nylon-strung axe of choice for solo classical gigs.

Electro-Acoustic: Taylor 314CE.
I first tried out this guitar over ten years ago, then shopped around for SIX MONTHS for another guitar which felt so comfortable and natural under the fingers, not to mention sound anywhere near as good. I failed, and eventually had to stump up the extra cash to buy the Taylor. It was money very well spent. Taylor’s range is extensive and I seriously suggest you try one out – they will have something which suits you, particularly if your style is heavily folk/fingerstyle based.

The gear I use has seen me through countless gigs, concerts and studio sessions with very few problems all in all. That said, if anyone has equipment out there that they feel would suit me (I play a huge range of styles) please do get in touch – I will happily borrow a guitar/amp for a weekend or two and put it through it’s paces at a few gigs, then review for you. My reviews appears on this blog, but will also happily write (or edit the blog to suit) for other gear/guitar review sites, as well as your own media. Get in touch via the blog or find me on Twitter (@tim_guitarist) to discuss!

Happy playing!