Tag Archives: folk

New Year’s resolutions for guitar players

As a general rule, I don’t believe in New Year’s resolutions. My philosophy is that changes can be made at any time, so why wait until January?

However, there is something about the end of a year which causes us all to reflect on the previous twelve months and start focusing on our plans for the next twelve. For us working musicians, many of us have recently reached the end of one of our peak times, the ‘Christmas Party Season’.

Like many bands who find most of their work comes from weddings & function work, 2016 ended for me with a NYE gig. In January, things start to feel a little quieter by comparison, which gives us time to ponder on the gigs we’ve enjoyed, what we didn’t enjoy, and what we hope to change for the new year.

So, with that in mind, here are a few of my suggestions for guitar-related resolutions for musicians looking to grow as better musicians in 2017:

  • Learn a new style.

Always wanted to start learning those jazz chord voicings? Perhaps you keep meaning to work on your reggae & ska rhythm playing? Or your country picking? Blues slide? The list goes on…

Take the time to work on these new genres & styles of playing. We are very fortunate to live in a time where we can access a world of free tutorials on the Internet, or videos in YouTube. However, don’t rule out the possibility of taking lessons to focus on specific areas – working one to one with an experienced guitar tutor does wonders for improving your playing! 

  • Mix things up.

Learning a style doesn’t mean you have to abandon all you know & travel the world playing strictly Django/gypsy jazz for the rest of your life (though I imagine there are plenty of worse ways to live)!

Have you found that the majority if your playing has been on acoustic guitar? Trying swapping to electric more often (or vice versa). Do you always practise at the same time of day? If possible, can you change to a different time? Your brain operates differently throughout the day – you may well find yourself going down very different musical avenues simply by switching from a morning to an afternoon practice session.

Sometimes learning to play a song you are very familiar with in a new style works brilliantly in helping your playing. Not only do you freshen up material which might be getting a bit stale, but you’ll have a safer means of exploring new options in your guitar playing.

One area of guitar playing I can’t recommend highly enough is solo performance. By this, I don’t mean the lead guitar solo in a song, but playing the melody, harmony, rhythms, etc on one unaccompanied guitar. It’s something a piano player wouldn’t think twice about, but I’m frequently amazed at how many guitarists simply haven’t tried it properly! If you’re unsure about how to start doing this, there are several books, online tutorials (like this blog!), and of course YouTube videos to help inspire you. Which brings us nicely in to…

  • Widen your horizons.

Music is a language. Even when playing on your own, you are creating sounds for yourself to hear, effectively taking to yourself. But there’s only so long you can do that before you end up going round in circles, or going crazy!

Set yourself the following challenge for the year: discover a new artist each month of 2017. Learn from what you hear. Take examples of their playing & try to incorporate it into your own. It can only make you a better guitarist! The beauty of this is that you don’t have to focus on other guitar players. In fact, it might be better not to! Many of the jazz & Blues guitarists I admire take inspiration for their improvisational playing from horn players, translating their melodies & ideas into their own instrument. Try it!

It also helps to get out amongst other musicians, jam, join or start a new band, particularly in a new style. It also goes further than this – always wanted to sing while playing? Start! Learning a new instrument? Do it! The best way out of a rut is to climb upwards!

  • Get your music ‘out there’.

…And if you’re meeting new musicians & launching new projects, you’re already doing this. Go to more live gigs, gig more yourself, especially new and original music. I know all too well how easy it is to get stuck in one ‘world’ (in my case playing in a covers band), and finding it hard to do other things, but I promise it’s worth the effort.

Remember to have fun while you’re out there expanding your guitar playing horizons!

Best of luck and wishing you all a very happy new year! Let’s make 2017 – like every year – a great year for music, for the guitar, and for you!

Tim xx

Please do get in touch to tell me what your own guitar/music new year resolutions are, and stay in touch to let me know how you’re getting on with them! Don’t forget I’m here to help if you need it! xx

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Gear Talk (2)

It’s been almost two years since the last post running through all of my gear (which you can read here), and a lot has changed since then! Time for an update…

What’s the same?

First off, my blue/purple Strat is still my main weapon of choice (pictured, below).

My main Strat, with modded pickups. Seen here with my fave stomp boxes.

Known as the Standard Stratocaster HSS, this Mexican made beauty has been with me for sixteen years now. A few years ago, I upgraded the pickups to:

  • Fender Vintage Noiseless (neck)
  • Seymour Duncan Cool Rails (middle)
  • Seymour Duncan ’59 humbucker (bridge)

I love the combination of these pickups, not to mention their individual tones. I’m buying a new ‘fat Strat’ soon (expect a review to follow) and should I find the standard pickups somewhat lacking in quality, I’ll be replacing them with the same choices mentioned above.

What else has remained the same?

My acoustics – the Taylor 314ce, Admira classical and Tanglewood electro acoustic – are the same as before. My ukulele is a standard concert model by Kauai.

Most of my pedals have remained the same but here’s a quick rundown of my main stompboxes:

  • Joyo Vintage Overdrive (highly recommended!)
  • HotOne Boost
  • Boss OD3 (overdrive) & DS1 (distortion)
  • Marshall Bluesbreaker overdrive
  • Snarling Dogs Wah
  • Joyo Digital Delay

I have a pedal board to house all of these. However, I often simply take two or three pedals out to a gig without the board. This changes from gig to gig, but looking back through the pics on my Twitter account, I find the Joyo Vintage OD (a top quality tubescreamer clone for a fraction of the price) usually makes an appearance.

So what’s new?

ELECTRICS

My current second Strat is a Chinese made Modern Player Stratocaster. Interestingly, it is short scale (24 inches instead of the usual 25.5). Apart from being a feet shorter on the neck (only twenty) you barely notice when playing, though the body is a little smaller. In terms of sound, the pickups on this are classic Strat and I love the Guild humbucker in the bridge – the chrome looks really cool against the scratch plate (see pic below, sun best guitar on the left)!

Modern Player short scale Strat, sunburst (left); Mexican HSS Strat, midnight blue (right); Fender Stage 100 solid state amp (rear).

Finally, I also own an Epiphone Les Paul plus top PRO. The main difference between this and the standard Epi LP is that both the top quality pickups are coil-tapped. They’re also uncovered, which looks very funky against the gold finish (see pic, below).

Epiphone Les Paul plus top PRO, gold with those beautiful uncovered ‘zebra’ humbuckers.

When I bought this guitar, I thought I’d be using it with bands in the heavier end of the rock spectrum. However, I’ve found myself using it more & more for blues & jazz gigs. It was my main guitar for my blues workshops at the Sage Gateshead this summer, and provided those early blues times perfectly.

AMPS

I’ve finally bowed to the inevitable and invested in a digital amp. I’m glad I waited, because evidently Fender did too. The first wave of modelling amps were full of lags & bugs. By waiting, Fender’s first foray into the genre ensured they got it right first time. Even then, they were minor bugs, quickly improved in the line of amps released when I started looking – and now I’m a very happy owner of a Mustang III version 2 (pictured below).

Fender Mustang III v.2 digital amp, pictured here with my gold Epi LP.

This has every amp option you can think of, as well as every effect you’ll ever need. I prefer to keep my overdrive stompboxes, which frees up the amp to add modulation effects (such as phaser or their wonderful chorus choices). There’s room for a hundred saved channels, which is more than I need but useful to have. Also, their pitch-shift effect allows me to down tune the entire guitar without the need to, well, actually down tune the guitar! Very cool!

What else?

Well… I’ve just today ordered a Fender HSH Strat, so expect a review when that arrives. I’m also quite keen to look at a few more pedals from Joyo. Watch this space.

Until next time… 

Things (demo)

New music! You can hear it here.

I’ve had the idea of ‘looped acoustic guitars’ going around my head for a few weeks now. Finally, I have had time today to grab my scribbled notes & make a basic demo. This way, I not only get to start fleshing out my draft, but it makes me less likely to forget about it altogether!

Still footage from the demo video of ‘Things’

When finished, this piece will be part of a new original music project I am working on. As it happens, I am still recruiting musicians for this project. If you’re interested, based in the North East of England and NOT a guitar player, drop me a message via this site or answer my Gumtree advert or my advert on Join My Band.

The main idea centres around two acoustic guitars using natural harmonics (where you touch a string over a deer without pressing down to create a bell-like chime). This guitars, panned hard left & right respectively, are then overlaid not only with additional instrumentation, but unexpected harmonic colours.

The basic harmony of the guitar ‘loops’ on their own is very predominantly E minor. I intend to add a few variants of this to the finished piece, but the draft I uploaded today features an upbeat, uplifting section base around the chords of G major & C major. Laid over the looping guitars, this gives a feel of extended chords such as G6, Gmaj9, Cmaj11 and others. For this reason, the bass, drums & keys you hear on this demo are kept relatively simple as a result. Following in my previous minimalist drafts, I’ve true not to throw too much in – why over complicate something which doesn’t need it?

Still footage from the demo video of ‘Things’

You can hear my first draft for ‘Things’ (with my pretty basic video of things around my house) online now via my Vimeo page. As always, comments are more than welcome – I’d really love to hear what you think. I’d also like to get the word out so please feel free to share, like, tweet & reblog to your heart’s content!  

Thanks guys! More coming very soon xx

New video: ‘Waters of Tyne’ (demo)

I haven’t posted a video in a while, so I thought I’d share a quick demo video to show you one if the projects I’m currently working on. 

Having been booked to play an entire set of purely Northumbrian folk music, I have been digging out some if the region’s great melodies & adapting them for solo guitar. I’ve had so much fun doing so that I hope to record some if my favourites later on this year.

For now, here’s a rough demo of one tune I particularly enjoy. Please excuse a) the less-than-perfect quality of sound & b) my guitar-playing facial expressions!

Watch the video here

This piece in this video is a solo acoustic guitar arrangement of the traditional Northumbrian tune ‘Waters of Tyne’. There are already a couple of great arrangements out there, and my version is a mix of some of the better examples available. Like many of those I found, this arrangement uses DADGAD tuning. 

The guitar is my Taylor 314CE (recently cleaned up, re-strung & set up to be my permanent DADGAD guitar). The video was shot & edited using the iMovieMaker app on my iPhone 5s, so apologies for the rather thin sound – a recording on a mobile phone simply doesn’t do full justice to the sound of this wonderful instrument. 

I hope you enjoy this demo. Comments & messages are always welcome. I hope to be sharing more very soon! 

Tim x