Tag Archives: fingerstyle

Great Guitarists Week, Day 1: Earl Klugh

It’s Blue Monday today, statistically, the most depressing day of the year. The reasons include Christmas already feeling like a distant memory, while many of us are feeling the pinch financially, with payday still almost a fortnight away. So how better to combat this than a week-long celebration of some amazing guitar players?

This mini series will feature one guitar player a day from Monday to Sunday. I’ve selected artists who have been both an inspiration and influence on my own guitar playing or musical practice, and I’ll try to include a few details about them as well as a track for ‘essential listening’. I hope you get something out of it. Do feel free to comment on my picks for Great Guitarists! First up…

Earl Klugh

Earl Klugh was born in Detroit, Michigan, in 1953, and first picked up the guitar at the age of ten. His early influences included legendary Brazilian guitarist Laurindo Almeida, pioneering jazz guitarist Wes Montgomery and Country/crossover star Chet Atkins (with whom he would later record). Many jazz players (including the pianist Bill Evans) as well as an array of Latin and classical players continued to inform the way Klugh developed his guitar technique. Like many Latin-influenced guitarists, Klugh has stuck largely with nylon-strung guitars for his entire career, but his wide mix of influences give him a unique voice of his own.

Klugh made his professional debut on flautist Yusef Lateef’s 1970 album, Suite 16, aged just 15, after Lateef heard him playing in his local music store. Later, Klugh joined the band of the legendary guitarist George Benson (keep an eye out for Benson later on in this week’s series). As well as performing guitar live with Benson’s band, Klugh also played on two of his classic jazz albums (before Benson started to focus more on singing & becoming a more commercial star), White Rabbit (1972) & Body Talk (1973).

Releasing his eponymous debut solo album in 1976, Klugh has since released over thirty records, in a variety of formats, including solo, duo and ensembles of various sizes. Over his career, he has received twelve Grammy nominations, winning the award for ‘Best pop instrumental performance’ with 1981’s One On One, recorded with jazz pianist Bob James.

I first discovered Klugh in the late 90’s and often used his composition ‘Kiko’ (from his 1976 album Living Inside Your Love) as a solo guitar piece for auditions. It featured in my repertoire for performances long before I caught the bug for Latin music, and Klugh (along with Santana) were the gateway to discovering the wonderful genres of South America.

As a classically trained guitarist, the sound of Klugh’s instrument felt comfortably familiar, although his main way of plucking the strings (using his thumb in both directions, like Wes Montgomery) was a rather alien concept to start with. Try it though – it’s worth persevering with, as it opens up a whole new, and potentially faster, way of playing the lower strings.

The track featured in this video is ‘Dr Macumba’ from his 1977 album Finger Paintings. It’s a great example of Klugh’s style, opening with a funky latin-infused riff, through to his cloud yet melodic jazz phrasing. Although it appears to start as a fairly small ensemble piece, this tune turns out to be a bigger production than expected, including rather brief string arrangement providing a classic 70’s lift in the middle of the piece!

Dr Macumba’ by Earl Klugh

I thoroughly encourage you to take a look into Klugh’s extensive back catalogue of LPs and concert videos. Even if the Latin stylings aren’t your thing, there’s a lot to be learned about jazz soloing from his playing. As always, let me know what you think. I’ll present another Great Guitarist tomorrow, but until then, enjoy the video!

‘Lagrima’ by Fransico Tárrega

Happy New Year, everybody!

To celebrate the beginning of 2018, here’s my long-promised interpretation of the Fransico Tárrega classic ‘Lagrima’. As always, feel free to let me know what you think! Here it on Vimeo here.

I’ll be back with more regular blog posts soon. Until then, stay happy and let’s make this year a great one, full of wonderful new music! xx

New video: ‘Waters of Tyne’ (demo)

I haven’t posted a video in a while, so I thought I’d share a quick demo video to show you one if the projects I’m currently working on. 

Having been booked to play an entire set of purely Northumbrian folk music, I have been digging out some if the region’s great melodies & adapting them for solo guitar. I’ve had so much fun doing so that I hope to record some if my favourites later on this year.

For now, here’s a rough demo of one tune I particularly enjoy. Please excuse a) the less-than-perfect quality of sound & b) my guitar-playing facial expressions!

Watch the video here

This piece in this video is a solo acoustic guitar arrangement of the traditional Northumbrian tune ‘Waters of Tyne’. There are already a couple of great arrangements out there, and my version is a mix of some of the better examples available. Like many of those I found, this arrangement uses DADGAD tuning. 

The guitar is my Taylor 314CE (recently cleaned up, re-strung & set up to be my permanent DADGAD guitar). The video was shot & edited using the iMovieMaker app on my iPhone 5s, so apologies for the rather thin sound – a recording on a mobile phone simply doesn’t do full justice to the sound of this wonderful instrument. 

I hope you enjoy this demo. Comments & messages are always welcome. I hope to be sharing more very soon! 

Tim x