Tag Archives: electric

New Year’s resolutions for guitar players

As a general rule, I don’t believe in New Year’s resolutions. My philosophy is that changes can be made at any time, so why wait until January?

However, there is something about the end of a year which causes us all to reflect on the previous twelve months and start focusing on our plans for the next twelve. For us working musicians, many of us have recently reached the end of one of our peak times, the ‘Christmas Party Season’.

Like many bands who find most of their work comes from weddings & function work, 2016 ended for me with a NYE gig. In January, things start to feel a little quieter by comparison, which gives us time to ponder on the gigs we’ve enjoyed, what we didn’t enjoy, and what we hope to change for the new year.

So, with that in mind, here are a few of my suggestions for guitar-related resolutions for musicians looking to grow as better musicians in 2017:

  • Learn a new style.

Always wanted to start learning those jazz chord voicings? Perhaps you keep meaning to work on your reggae & ska rhythm playing? Or your country picking? Blues slide? The list goes on…

Take the time to work on these new genres & styles of playing. We are very fortunate to live in a time where we can access a world of free tutorials on the Internet, or videos in YouTube. However, don’t rule out the possibility of taking lessons to focus on specific areas – working one to one with an experienced guitar tutor does wonders for improving your playing! 

  • Mix things up.

Learning a style doesn’t mean you have to abandon all you know & travel the world playing strictly Django/gypsy jazz for the rest of your life (though I imagine there are plenty of worse ways to live)!

Have you found that the majority if your playing has been on acoustic guitar? Trying swapping to electric more often (or vice versa). Do you always practise at the same time of day? If possible, can you change to a different time? Your brain operates differently throughout the day – you may well find yourself going down very different musical avenues simply by switching from a morning to an afternoon practice session.

Sometimes learning to play a song you are very familiar with in a new style works brilliantly in helping your playing. Not only do you freshen up material which might be getting a bit stale, but you’ll have a safer means of exploring new options in your guitar playing.

One area of guitar playing I can’t recommend highly enough is solo performance. By this, I don’t mean the lead guitar solo in a song, but playing the melody, harmony, rhythms, etc on one unaccompanied guitar. It’s something a piano player wouldn’t think twice about, but I’m frequently amazed at how many guitarists simply haven’t tried it properly! If you’re unsure about how to start doing this, there are several books, online tutorials (like this blog!), and of course YouTube videos to help inspire you. Which brings us nicely in to…

  • Widen your horizons.

Music is a language. Even when playing on your own, you are creating sounds for yourself to hear, effectively taking to yourself. But there’s only so long you can do that before you end up going round in circles, or going crazy!

Set yourself the following challenge for the year: discover a new artist each month of 2017. Learn from what you hear. Take examples of their playing & try to incorporate it into your own. It can only make you a better guitarist! The beauty of this is that you don’t have to focus on other guitar players. In fact, it might be better not to! Many of the jazz & Blues guitarists I admire take inspiration for their improvisational playing from horn players, translating their melodies & ideas into their own instrument. Try it!

It also helps to get out amongst other musicians, jam, join or start a new band, particularly in a new style. It also goes further than this – always wanted to sing while playing? Start! Learning a new instrument? Do it! The best way out of a rut is to climb upwards!

  • Get your music ‘out there’.

…And if you’re meeting new musicians & launching new projects, you’re already doing this. Go to more live gigs, gig more yourself, especially new and original music. I know all too well how easy it is to get stuck in one ‘world’ (in my case playing in a covers band), and finding it hard to do other things, but I promise it’s worth the effort.

Remember to have fun while you’re out there expanding your guitar playing horizons!

Best of luck and wishing you all a very happy new year! Let’s make 2017 – like every year – a great year for music, for the guitar, and for you!

Tim xx

Please do get in touch to tell me what your own guitar/music new year resolutions are, and stay in touch to let me know how you’re getting on with them! Don’t forget I’m here to help if you need it! xx

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Gear Talk

I’ve been asked about the gear I use a fair few times this year so while I have a little spare time today, I thought I’d share with you details of the regular equipment I use.

ELECTRICS
My main guitars (which go out on every electric guitar gig) are both Mexican ‘Fat Strats’ by Fender. Both are made of Alder and feature Rosewood fingerboards.

The spare (my black one) was bought from the USA already customised, with humbucker in the bridge position and one master tone control. Where the second tome used to be is now a three-way toggle to split the humbucker to either half on their own or fully combined, which works brilliantly for acoustic simulation (and a lot less hassle than lugging an acoustic guitar about for one or two tunes!).

The main (blue one, pictured) is a Mexican ‘fat’ Strat (humbucker in the bridge). A few years back, I upgraded all three of the pickups. The bridge now houses a Seymour Duncan J-45 (usually used in Les Pauls) which gives a delightfully ‘throaty’ but open overdriven sound. The middle pickup is a Seymour Duncan ‘Cool Rails’ – but don’t let the name fool you – this packs a wonderfully modern-sounding punch and effectively gives me a humbucker in the middle position. Plus, switching to the position between bridge and middle gives an amazing ‘quack’ sound that cuts through a full band mix brilliantly when both clean and driven. The neck is a Fender Vintage Noiseless. This is my only single coil on the guitar and I wouldn’t have it any other way. I love the ‘pout’ you get from the Strat’s neck pickup and would never sacrifice what is my all-time favourite guitar tone for a little extra power.

AMPS AND EFFECTS PEDALS
My electric amp is a ten+ year old Fender Stage 100. They don’t make these any more but are without a shadow of a doubt the best transistor amplifier out there. I gig far too much to deal with the unreliability of valve amps and with one this good (and thanks to the 12″ Celestion ‘Greenback’ speaker, an amp this LOUD) I hopefully never need to. It’s been serviced twice in all of the time I’ve had it (since new) and works a real treat.

Should I ever upgrade, I have heard good things about Fender’s digital range and tried out a Roland 80 Cube last year. While the Cube impressed me a lot, it only had two switchable channels, and I’m rather spoilt by having the option of an additional drive channel with my amp, so looks like I’m sticking with it for now.

I don’t use many effects but rely on a BOSS OD3 as a solo boost (or occasionally as an ‘additional overdrive channel’ when I need a different sound to my amp.
My main solo boost pedal is a rather cheap and relatively unknown make, called a ‘Vintage Overdrive’ (JF-01) by Joyo Pedals. Joyo are a Chinese company and this pedal features the same chip inside as the classic TS-808 Tube Screamer. Put simply, it sounds amazing for lead work. I cannot recommend this pedal highly enough (and it costs less than £30 – you may as well buy two so you have a spare handy)!
My other effects are a Digital Delay (another wonderful Joyo creation) and a Cry Baby Wah-Wah.

ACOUSTICS
Classical: Admira Sevilla.
Higher-level ‘student’ model with a solid Cedar top. One of the most beautiful-sounding guitars I have played in this price range, and my nylon-strung axe of choice for solo classical gigs.

Electro-Acoustic: Taylor 314CE.
I first tried out this guitar over ten years ago, then shopped around for SIX MONTHS for another guitar which felt so comfortable and natural under the fingers, not to mention sound anywhere near as good. I failed, and eventually had to stump up the extra cash to buy the Taylor. It was money very well spent. Taylor’s range is extensive and I seriously suggest you try one out – they will have something which suits you, particularly if your style is heavily folk/fingerstyle based.

The gear I use has seen me through countless gigs, concerts and studio sessions with very few problems all in all. That said, if anyone has equipment out there that they feel would suit me (I play a huge range of styles) please do get in touch – I will happily borrow a guitar/amp for a weekend or two and put it through it’s paces at a few gigs, then review for you. My reviews appears on this blog, but will also happily write (or edit the blog to suit) for other gear/guitar review sites, as well as your own media. Get in touch via the blog or find me on Twitter (@tim_guitarist) to discuss!

Happy playing!