Tag Archives: Admira

‘Lagrima’ (Francisco Tarrega)

Hi all, here’s recording of my interpretation of ‘Lagrima’ by Francisco Tarrega, a popular piece in classical guitar repertoire. This was recorded at Nemix studios in Newcastle, using my Admira classical guitar. ‘Lagrima’ means ‘teardrop’ and the piece was written by Tarrega while homesick for his native Spain.

I feel this close-to recording captures an environment as intimate as Tarrega’s lodgings in London as he wrote this. You can hear my fingers in contact with the strings here. Personally, I quite like this. It makes an interesting contrast to how the classical guitar is heard in a concert context. However, I’d argue that the instrument is not naturally suited to the large auditorium, and a more intimate setting better highlights it’s harmonic qualities – but what do you guys think?

If this video above does not play, you can access the YouTube video here.

Enjoy xx

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Gear Talk (2)

It’s been almost two years since the last post running through all of my gear (which you can read here), and a lot has changed since then! Time for an update…

What’s the same?

First off, my blue/purple Strat is still my main weapon of choice (pictured, below).

My main Strat, with modded pickups. Seen here with my fave stomp boxes.

Known as the Standard Stratocaster HSS, this Mexican made beauty has been with me for sixteen years now. A few years ago, I upgraded the pickups to:

  • Fender Vintage Noiseless (neck)
  • Seymour Duncan Cool Rails (middle)
  • Seymour Duncan ’59 humbucker (bridge)

I love the combination of these pickups, not to mention their individual tones. I’m buying a new ‘fat Strat’ soon (expect a review to follow) and should I find the standard pickups somewhat lacking in quality, I’ll be replacing them with the same choices mentioned above.

What else has remained the same?

My acoustics – the Taylor 314ce, Admira classical and Tanglewood electro acoustic – are the same as before. My ukulele is a standard concert model by Kauai.

Most of my pedals have remained the same but here’s a quick rundown of my main stompboxes:

  • Joyo Vintage Overdrive (highly recommended!)
  • HotOne Boost
  • Boss OD3 (overdrive) & DS1 (distortion)
  • Marshall Bluesbreaker overdrive
  • Snarling Dogs Wah
  • Joyo Digital Delay

I have a pedal board to house all of these. However, I often simply take two or three pedals out to a gig without the board. This changes from gig to gig, but looking back through the pics on my Twitter account, I find the Joyo Vintage OD (a top quality tubescreamer clone for a fraction of the price) usually makes an appearance.

So what’s new?

ELECTRICS

My current second Strat is a Chinese made Modern Player Stratocaster. Interestingly, it is short scale (24 inches instead of the usual 25.5). Apart from being a feet shorter on the neck (only twenty) you barely notice when playing, though the body is a little smaller. In terms of sound, the pickups on this are classic Strat and I love the Guild humbucker in the bridge – the chrome looks really cool against the scratch plate (see pic below, sun best guitar on the left)!

Modern Player short scale Strat, sunburst (left); Mexican HSS Strat, midnight blue (right); Fender Stage 100 solid state amp (rear).

Finally, I also own an Epiphone Les Paul plus top PRO. The main difference between this and the standard Epi LP is that both the top quality pickups are coil-tapped. They’re also uncovered, which looks very funky against the gold finish (see pic, below).

Epiphone Les Paul plus top PRO, gold with those beautiful uncovered ‘zebra’ humbuckers.

When I bought this guitar, I thought I’d be using it with bands in the heavier end of the rock spectrum. However, I’ve found myself using it more & more for blues & jazz gigs. It was my main guitar for my blues workshops at the Sage Gateshead this summer, and provided those early blues times perfectly.

AMPS

I’ve finally bowed to the inevitable and invested in a digital amp. I’m glad I waited, because evidently Fender did too. The first wave of modelling amps were full of lags & bugs. By waiting, Fender’s first foray into the genre ensured they got it right first time. Even then, they were minor bugs, quickly improved in the line of amps released when I started looking – and now I’m a very happy owner of a Mustang III version 2 (pictured below).

Fender Mustang III v.2 digital amp, pictured here with my gold Epi LP.

This has every amp option you can think of, as well as every effect you’ll ever need. I prefer to keep my overdrive stompboxes, which frees up the amp to add modulation effects (such as phaser or their wonderful chorus choices). There’s room for a hundred saved channels, which is more than I need but useful to have. Also, their pitch-shift effect allows me to down tune the entire guitar without the need to, well, actually down tune the guitar! Very cool!

What else?

Well… I’ve just today ordered a Fender HSH Strat, so expect a review when that arrives. I’m also quite keen to look at a few more pedals from Joyo. Watch this space.

Until next time… 

Gear Talk

I’ve been asked about the gear I use a fair few times this year so while I have a little spare time today, I thought I’d share with you details of the regular equipment I use.

ELECTRICS
My main guitars (which go out on every electric guitar gig) are both Mexican ‘Fat Strats’ by Fender. Both are made of Alder and feature Rosewood fingerboards.

The spare (my black one) was bought from the USA already customised, with humbucker in the bridge position and one master tone control. Where the second tome used to be is now a three-way toggle to split the humbucker to either half on their own or fully combined, which works brilliantly for acoustic simulation (and a lot less hassle than lugging an acoustic guitar about for one or two tunes!).

The main (blue one, pictured) is a Mexican ‘fat’ Strat (humbucker in the bridge). A few years back, I upgraded all three of the pickups. The bridge now houses a Seymour Duncan J-45 (usually used in Les Pauls) which gives a delightfully ‘throaty’ but open overdriven sound. The middle pickup is a Seymour Duncan ‘Cool Rails’ – but don’t let the name fool you – this packs a wonderfully modern-sounding punch and effectively gives me a humbucker in the middle position. Plus, switching to the position between bridge and middle gives an amazing ‘quack’ sound that cuts through a full band mix brilliantly when both clean and driven. The neck is a Fender Vintage Noiseless. This is my only single coil on the guitar and I wouldn’t have it any other way. I love the ‘pout’ you get from the Strat’s neck pickup and would never sacrifice what is my all-time favourite guitar tone for a little extra power.

AMPS AND EFFECTS PEDALS
My electric amp is a ten+ year old Fender Stage 100. They don’t make these any more but are without a shadow of a doubt the best transistor amplifier out there. I gig far too much to deal with the unreliability of valve amps and with one this good (and thanks to the 12″ Celestion ‘Greenback’ speaker, an amp this LOUD) I hopefully never need to. It’s been serviced twice in all of the time I’ve had it (since new) and works a real treat.

Should I ever upgrade, I have heard good things about Fender’s digital range and tried out a Roland 80 Cube last year. While the Cube impressed me a lot, it only had two switchable channels, and I’m rather spoilt by having the option of an additional drive channel with my amp, so looks like I’m sticking with it for now.

I don’t use many effects but rely on a BOSS OD3 as a solo boost (or occasionally as an ‘additional overdrive channel’ when I need a different sound to my amp.
My main solo boost pedal is a rather cheap and relatively unknown make, called a ‘Vintage Overdrive’ (JF-01) by Joyo Pedals. Joyo are a Chinese company and this pedal features the same chip inside as the classic TS-808 Tube Screamer. Put simply, it sounds amazing for lead work. I cannot recommend this pedal highly enough (and it costs less than £30 – you may as well buy two so you have a spare handy)!
My other effects are a Digital Delay (another wonderful Joyo creation) and a Cry Baby Wah-Wah.

ACOUSTICS
Classical: Admira Sevilla.
Higher-level ‘student’ model with a solid Cedar top. One of the most beautiful-sounding guitars I have played in this price range, and my nylon-strung axe of choice for solo classical gigs.

Electro-Acoustic: Taylor 314CE.
I first tried out this guitar over ten years ago, then shopped around for SIX MONTHS for another guitar which felt so comfortable and natural under the fingers, not to mention sound anywhere near as good. I failed, and eventually had to stump up the extra cash to buy the Taylor. It was money very well spent. Taylor’s range is extensive and I seriously suggest you try one out – they will have something which suits you, particularly if your style is heavily folk/fingerstyle based.

The gear I use has seen me through countless gigs, concerts and studio sessions with very few problems all in all. That said, if anyone has equipment out there that they feel would suit me (I play a huge range of styles) please do get in touch – I will happily borrow a guitar/amp for a weekend or two and put it through it’s paces at a few gigs, then review for you. My reviews appears on this blog, but will also happily write (or edit the blog to suit) for other gear/guitar review sites, as well as your own media. Get in touch via the blog or find me on Twitter (@tim_guitarist) to discuss!

Happy playing!