Category Archives: Sound Art

What’s your biggest guitar issue?


This is a call for submissions!

One aim of my blog is to offer guitar & music-related advice and for the next few posts, I’d like to pass the power in dictating the topic of discussion to YOU. So tell me: what is the is the biggest issue you face in learning the guitar?

I’m happy to examine any relevant queries which have been bugging you. They could be technical (finger tapping, getting the right tone out of an amp), or more vague (who do you feel the best guitarists to listen to when learning Afro-Cuban jazz, etc). You might want to ask about bass guitar, ukulele or band performance/management in general. Feel free!

You can message me here, leave a comment in this post, or drop me a DM/tweet via my Twitter account: @tim_guitarist.

I look forward to hearing from you & talking your queries over the next few weeks!

Tim x


#6×5 – New piano music (trailer)

Coming soon…

Watch the trailer for #6×5 on Vimeo here.


Image credit: Tim Higgins (

Those of you who don’t already know, I compose. This isn’t limited to the guitar, and I have more than a fondness for minimalist principles. I will expand on my love of the minimalist style of music and why I feel we need it more then ever in a later blog post. But for now, I just want to share a little bit of my upcoming non-guitar musical works. Some of you have been asking for a sneak peek, so here it is!

#6×5 is one part of a four-movement piece using minimal, interplaying lines. The title refers to the number of individual musical phrases (six) and the number of actual notes in each of these motifs (five).

This piece was originally intended to be performed on tuned percussion instruments, such as glockenspiels or vibraphones, by six players, spaced in a circle around tyne audience. Each performer would be assigned one of the six motifs and the music, and the overall effect of these separate, short lines starting and stopping all around the listener is intended to surround him in sound. It might disorientate (due to elements of dissonance), but hopefully in a good way (as these resolve as the music progresses).

Since then, I have created a demo using a piano voicing. The final version will be available as a piece for solo or duo pianos, as well as solo and duo tuned percussion. However, I will also continue to fine-tune the original six-part ‘surround sound’ experience for a performance at a later date.

In the meantime, please have a listen to the piano demo for #6×5. It takes about thirty seconds of your time and I’d be very interested to hear your thoughts.

Later this week, I shall upload the slower movement from this same work, #5×4, which is also a piano demo. Once I have done this, I will enable you to read about it and listen to it from here.


Image credit:

Until then, enjoy and keep creating!

Tim xx


Seeing Without Knowing (2) / Sacred Spaces

It’s been quite a while since I’ve posted on here – writing a dissertation will do that unfortunately. The upside is, I will post abridged versions of each chapter from my dissertation (examining the value of music in wellbeing on a mental, pysical and educational level) on here for you to digest and enjoy over the summer.

However, I wished to update you on my Sound Art piece, originally entitled “Seeing Without Knowing”.

For the time being, this project, under its initial outline, has been temporarily shelved. A large amount of its components, namely the absence of the performer, has been retained in the new project. Emerging from the ‘Seeing Without Knowing’ idea came a more specific soundscapes idea.

Using recordings of simply the ECHOES of a room, as per the original brief, the Sacred Spaces project aims to feature recordings / soundscapes from spiritual spaces and buildings throughout the world, across all cultures and religions. The first of these was recorded in Durham Cathedral on a windy and rain-filled night, April 2015. The sounds were reorganised and edited later that month using ProTools software.

You can hear the initial demo for this project here:

Many thanks to Durham Cathedral for allowing us into your Sacred Space for an hour that evening. Also, many thanks to Sunderland University for the loan of microphones and recording equipment. I hope you enjoy what you hear. Please do feel free to let me know what you think!