“Music expresses that which cannot be said and on which it is impossible to be silent.” – Victor Hugo.
Humans are a musical species. Throughout our history we have created such beautiful sounds which are simultaneously abstract and intimate. You could say we are the music we listen to. If that’s true, then that first music we absorb as children must play a large part in informing our futures, a least to some extent. If nothing else, it helps form your musical tastes for the future!
As I sit here typing this, ‘Deacon Blues’ by Steely Dan ha started playing on the radio. I’m instantly transported back to a younger version of myself, still as moved by this song as I was the first time it fell upon my ears. (if you don’t know it, here’s a live version you can enjoy by clicking here).
As musicians & composers, we should be both mindful & appreciative of this. With that in mind, here is my very own early music.
Using that term, I’m excluding nursery rhymes and songs from school. I was also planning to leaving aside hymns & church music. But the more I thought about it, the less it made sense to do so. This was a huge part of my formative years. To ignore the music of my church and community growing up would mean I was only presenting to you half of the music that made the man sat here typing this right now.
I was raised by a family of regular churchgoers in a close Catholic community in the north of England. Music was a large part of our times attending Mass or in Church-related events, and without a doubt my favourite ingredient of the Christiam experience.
Folk & Celtic Music
My community had a strong Celtic connection, with regular social events, often ceilidhs featuring additional Northumbrian dancing. If you’re unfamiliar with these traditional Irish & Scottish dances, here’s a classic, the Gay Gordons (Yes, that was a part of my childhood!)
There were also more reflective songs, performed by certain members of the parish. These included several traditional Irish songs, such as ‘Danny Boy’ and ‘Molly Malone’.
My interest in folk music stems directly from hearing so much of it as a child. As a professional guitar player, I’m often called upon to play these tunes. Here is my own version of ‘Danny Boy’ (called Londonderry Air here) from my Vimeo site.
…and here’s the traditional Notthumbrian tune Waters Of Tyne
While there was no one particular hymn that stood out, I quickly discovered which melodies, chord sequences, and – crucially – their relation to each other, I preferred to listen to and sing along with. Some, especially Christmas Carols, managed to embody powerful music with a soft sweetness many classical composers have struggled to attain. Obvious (non-Christmassy) examples include ‘Abide With Me’ and of course, Jerusalem.
‘Jerusalem’ gets bonus points for being thought of as such a patriotic ode to England here in the UK. This is despite the fact that the words are taken from William Blake’s thoroughly sarcastic prom, mocking the mediaeval belief that Jesus visited these lands as a teenager with Joseph of Arimathea. However, the music by Sir Hubert Parry is sublime. In particular, the downwards harmonic movement towards the end of the second line in both verses never fails to raise goosebumps on my arms!
This is just one part of my life, but the music here still stirs memories of growing up, and the sense of community spirit we had. My father is still a regular at my old church, and like me, his favourite part of the experience is the music – the singing together, and belonging.
But that’s not the whole story…
Coming up next: the other side of my early years. Specifically, the albums I first heard as a child. Until then, stay happy and keep making music xx