Category Archives: community music

What’s your biggest guitar issue?

ATTENTION GUITAR FRIENDS!

This is a call for submissions!

One aim of my blog is to offer guitar & music-related advice and for the next few posts, I’d like to pass the power in dictating the topic of discussion to YOU. So tell me: what is the is the biggest issue you face in learning the guitar?

I’m happy to examine any relevant queries which have been bugging you. They could be technical (finger tapping, getting the right tone out of an amp), or more vague (who do you feel the best guitarists to listen to when learning Afro-Cuban jazz, etc). You might want to ask about bass guitar, ukulele or band performance/management in general. Feel free!

You can message me here, leave a comment in this post, or drop me a DM/tweet via my Twitter account: @tim_guitarist.

I look forward to hearing from you & talking your queries over the next few weeks!

Tim x

Music that made me (part one): Early years

“Music expresses that which cannot be said and on which it is impossible to be silent.” – Victor Hugo. 

Humans are a musical species. Throughout our history we have created such beautiful sounds which are simultaneously abstract and intimate. You could say we are the music we listen to. If that’s true, then that first music we absorb as children must play a large part in informing our futures, a least to some extent. If nothing else, it helps form your musical tastes for the future! 

As I sit here typing this, ‘Deacon Blues’ by Steely Dan ha started playing on the radio. I’m instantly transported back to a younger version of myself, still as moved by this song as I was the first time it fell upon my ears. (if you don’t know it, here’s a live version you can enjoy by clicking here).

As musicians & composers, we should be both mindful & appreciative of this. With that in mind, here is my very own early music

Using that term, I’m excluding nursery rhymes and songs from school. I was also planning to leaving aside hymns & church music. But the more I thought about it, the less it made sense to do so. This was a huge part of my formative years. To ignore the music of my church and community growing up would mean I was only presenting to you half of the music that made the man sat here typing this right now.

I was raised by a family of regular churchgoers in a close Catholic community in the north of England. Music was a large part of our times attending Mass or in Church-related events, and without a doubt my favourite ingredient of the Christiam experience.

Folk & Celtic Music

My community had a strong Celtic connection, with regular social events, often ceilidhs featuring additional Northumbrian dancing. If you’re unfamiliar with these traditional Irish & Scottish dances, here’s a classic, the Gay Gordons (Yes, that was a part of my childhood!)

There were also more reflective songs, performed by certain members of the parish. These included several traditional Irish songs, such as ‘Danny Boy’ and ‘Molly Malone’.

My interest in folk music stems directly from hearing so much of it as a child. As a professional guitar player, I’m often called upon to play these tunes. Here is my own version of ‘Danny Boy’ (called  Londonderry Air here) from my Vimeo site.

…and here’s the traditional Notthumbrian tune Waters Of Tyne

Hymns

While there was no one particular hymn that stood out, I quickly discovered which melodies, chord sequences, and – crucially – their relation to each other, I preferred to listen to and sing along with. Some, especially Christmas Carols, managed to embody powerful music with a soft sweetness many classical composers have struggled to attain. Obvious (non-Christmassy) examples include ‘Abide With Me’ and of course, Jerusalem.

‘Jerusalem’ gets bonus points for being thought of as such a patriotic ode to England here in the UK. This is despite the fact that the words are taken from William Blake’s thoroughly sarcastic prom, mocking the mediaeval belief that Jesus visited these lands as a teenager with Joseph of Arimathea. However, the music by Sir Hubert Parry is sublime. In particular, the downwards harmonic movement towards the end of the second line in both verses never fails to raise goosebumps on my arms!

Finally…

This is just one part of my life, but the music here still stirs memories of growing up, and the sense of community spirit we had. My father is still a regular at my old church, and like me, his favourite part of the experience is the music – the singing together, and belonging.

But that’s not the whole story…

Coming up next: the other side of my early years. Specifically, the albums I first heard as a child. Until then, stay happy and keep making music xx

New community music centre now open in Cumbria

Some of you may know I am involved with a few community music therapy projects in the north-west of England. Now think it’s time you met ‘me gaffer’, and had a wee peek at the new £2million centre which has recently opened its doors in Penrith, Cumbria.

Annie, Michael & the whole team at Sunbeams Music Trust have been working tirelessly for several years, and not just in fundraising for their brand new centre. Sunbeams Music Trust now provides community music across the region. Their ‘Music for Life’ & ‘Music for Dignity’ projects reach children and adults in schools, day centres, care homes & much more, bringing music (and improved wellbeing) to so many people who need & enjoy it. But there is always more work to be done and more communities & people to reach out to. This new centre will go some way to meeting that obvious need.

Featuring a large performance room, state-of-the-art digital recording studio and small music & therapy rooms, the new centre comes well equipped to meet the needs of the charity. A well-equipped kitchen & boardroom means they can also raise much needed revenue through conferencing & hosting events. The recording studio is also directly linked up to the performance hall, meaning the centre can also serve as a commercial studio capable of recording anything up & including a small orchestra!

Guitars laid out in ‘Lily’s Room’, at the Sunbeams Centre, Cumbria.

My only contribution to the new centre so far has been laying out the guitars on the floor (as above, however the remnants of which can also be briefly glimpsed in the video, via the link below). However, I hope to start leading a few of the projects there from 2017 and truth be told, I can’t wait! The new centre is, in a word, AWESOME!

Sunbeams runs entirely on donations & charity funding. If you haven’t yet chosen a charity to donate to for Christmas, or raise money for throughout 2017, please give Sunbeams some serious consideration.

Fundraiding information can be found on Sunbeam’s donation page.

Thanks, guys! xx

…And here’s the recent feature on the new Sunbeams Centre, courtesy of ITV News.

Special offer on guitar lessons (Newcastle)

Thinking of learning guitar? Or know someone who is? Here’s the ideal Christmas present for the guitar student in your life (and, crucially, are based in the North East of England)…

***SPECIAL OFFER FOR NEW STUDENTS***
I’m offering discounted rates for all new students who book lessons between the 1st of December and the 15th of January.

Whether you’re a complete beginner, or an experienced player looking for a short run of courses to focus on one specialist technique. Either way, all styles & all levels of player catered for in electric, acoustic & classical guitars. Ukulele lessons also available, also for all levels & styles.

***BLOCK BOOK TEN 1/2 HOUR LESSONS FOR ONLY £90.00***

(45 minute & one hour slots available too)

Message me on my Facebook page for details & to discuss.

Where have I been?

As the late, great David Bowie sang, ch-ch-ch-ch-changes…

Hi all, been a while! So where have I been?

In one respect, nowhere new. I have however been rather busy as wedding season came around & I took on a lot of additional limited-run teaching work about the same time. I’ve also been keeping busy preparing for the first big change to my work/life balance…

I have been successful in securing a place to study for a MSc in Music Therapy in Edinburgh. This means for the next two years I will be in Scotland for two days (one night) per week. Regular readers will not be surprised to learn that qualifying as a music therapist has  been one of my long-term goals for a while now. I expect it to be a pretty intense period of study, but I will aim to keep this blog updated of my progress. I’ll also continue to post any interesting insights into MT that I discover on the way.

Using ‘bedsit research’ as an excuse to travel up to Edinburgh this week, my partner & I spent a few days enjoying the Festival Fringe. You can expect blogs reviewing the shows we saw showing up here very soon…

Any other ch-ch-changes?

Well yes, actually. Remember that new music project I’ve mentioned starting (or attempting to start) intermittently over the last year? Expect a new update very soon – new (heavier) sounds are on the way!

Tim x

Musicians needed in north east UK (new alt-folk project)

Yet another call to arms for folk musicians & singer-songwriters in the area. Here’s the gist from the ad:

Hi all, professional guitar player, composer and teacher here, looking to get a few musicians (particularly those who sing) to help me finish off a few pieces and songs I’ve started. Hoping to get them recorded this year with gigs to go with them.

This new project will cross a few genres, but be centred mostly around alt-folk and ambient rock. Part of it will be the reimagining of old folk tunes and the rest will be matching style songs written by us, including instrumentals. I’ve had this project running in the background for a while but need a few extra hands on deck to get it finished & now I have the spare time to devote to it this summer so let’s do this!

Also, if you are a singer-songwriter doing similar music already, and are looking for a collaborator or a guitarist/composer to flesh out your material, please do get in touch!

Ideally, you will be a performing, experienced and above all, talented musician somewhere between 20-40 (I’m 31). However, here a few things I will most likely not reply to:

*’Beginner Singers’ – those who can sing, but are only now looking for their first few gigs

*Covers acts

*Metal or punk bands looking for guitarists

*guitarists (unless you are lead vocalists as well)

I play guitar of all shapes, sizes & genres. I also play pretty much everything in the guitar family from ukuleles and mandolins out to banjos and sitars (if you have one!) so guitar wise, I have it covered thanks!

Exceptions to this would be if you are already in a band performing the sort of material I describe above, and are looking for an additional guitar player/instrumentalist/songwriter. If so, send me your songs and what you’re looking for.

If you have any videos of your playing/singing, even better. Happy to meet up & jam to see how we gel. I should also point out at this juncture that I have regular work in a wedding/covers band which takes up a lot of my Fri & Sat nights. Gigs, therefore, would be fitted around these, such as weeknights, etc. If we could get this band to perform one gig a month on average by the end of this year, I would be happy, then we can take it from there…

Think you fit the bill? You can reply to me via this site it click on the original advert here to reply via email. You know what to do!

I look forward to hearing from you all!

Ukulele Problems: Tuning

Ukulele beach(pic courtesy of ukulelemusichawaii.com)

So you’ve bought your first ukulele & learned a few chords. But now you’ve noticed that it’s gone out of tune. No matter, you have a tuner, you tune up. Done. But after a pretty short time, it’s out of tune again. Why?

I get this query a lot from my new ukulele students. Just as they are getting started with their first steps into music-making on this instrument, they become frustrated with it’s apparent lack of tuning stability.

New ukuleles come with new strings, which haven’t been ‘played in’. Just like a new set of strings of a guitar, they need to be ‘stretched’. As ukulele strings are made from nylon, which is a very flexible material, this is even more apparent.

The quickest way to to this is following these basic steps:

  1. Tune your ukulele
  2. Take a hold of the strings & gently pull them up, away from the fingerboard, repeating across a few different parts of the string (see an example video here)
  3. Re-tune the ukulele
  4. Repeat steps 2 & 3 until re-tuning is no longer required

Hey presto! problem solved! Your ukulele should now not only remain stable after playing, but also hold it’d tuning better when travelling (though extreme changes in temperature will still cause the strings to expand and contract).

The video included via hyper link in point 2, above (https://www.youtube.com/watch?v=px0ds0T3ric) is one of many available online to help you better visualise what I mean by stretching the strings. It’s not as difficult as you might think!

Other things to remain mindful of:

While stretching the strings is by far the most common solution to fixing a consistently out of tune uke, you may still notice occasional tuning issues. Perhaps simple, mostly open chords sound correct, but those with three or four fretted notes, or barre chords, have one or two out of tune strings when played. More perplexing, this can happen when the open strings are still correctly tuned up.

The problem? In this case, it’s intonation.

Provided you have a decent instrument, where the frets are set up and spaced correctly (watch out for the false economy of the bottom range ‘budget models’), then this can easily be fixed by paying close attention to how you fret the notes. You may find, on new or more interestingly shaped chords, that you are pressing down too hard on certain strings, pushing that note slightly out of tune with the rest of the chord. Some positions might require you to stretch or bend a finger in a way which means it is not sitting behind the fret as per the standard method. This too, can be fixed with a little bit of practise, and a small amount of mindfulness. Happy Uke-ing!